Je ne suis qu'une vermine bourrée d'esthétique. Rien de plus.

nock-nock-nock:

Tin Nguyen

"Cities have often been compared to language: you can read a city, it’s said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow."

Valeria Luiselli, “Relingos: The Cartography of Empty Spaces”  (via goghst)
Artist:Unknown Massive Attack
Title: UnknownInertia Creeps
3,107 plays

"

Suddenly her mom’s silence matched Jackie’s own. “Oh, my God,” she murmured in disbelief. “Are you gay?”

"Yeah," Jackie forced herself to say.

After what felt like an eternity, her mom finally responded. “I don’t know what we could have done for God to have given us a fag as a child,” she said before hanging up.

[…]

She got a call from her older brother. “He said, ‘Mom and Dad don’t want to talk to you, but I’m supposed to tell you what’s going to happen,’” Jackie recalls. “And he’s like, ‘All your cards are going to be shut off, and Mom and Dad want you to take the car and drop it off at this specific location. Your phone’s going to last for this much longer. They don’t want you coming to the house, and you’re not to contact them. You’re not going to get any money from them. Nothing. And if you don’t return the car, they’re going to report it stolen.’ And I’m just bawling. I hung up on him because I couldn’t handle it.” Her brother was so firm, so matter-of-fact, it was as if they already weren’t family.

"

You should read this Rolling Stones piece on Queer kids getting kicked out by their religious parents. And remember it.  (via feministbatwoman)

Since founding the center, Siciliano, 49, has become one of the nation’s most outspoken homeless advocates. “I feel like the LGBT movement has been asleep at the wheel when it comes to this,” he says, running his hands through his closely cropped hair and sighing. “We’ve been so focused on laws – changing the laws around marriage equality, changing ‘don’t ask, don’t tell,’ getting adoption rights – that we haven’t been fighting for economic resources. How many tax dollars do gay people contribute? What percentage of tax dollars comes back to our gay kids? We haven’t matured enough as a movement yet that we’re looking at the economics of things.”

Siciliano also understands that the kids he works with don’t sync up with to the message everyone wants to hear: It gets better. “There is a psychological reality that when you’re an oppressed group whose very existence is under attack, you need to create this narrative about how great it is to be what you are,” he says. “It’s like, ‘Leave the repression and the fear behind and be embraced by this accepting community, and suddenly everyone is beautiful and has good bodies and great sex and beautiful furniture, and rah-rah-rah.’ And, from day one of the Stonewall Riots, homeless kids were not what people wanted to see. No one wanted to see young people coming out and being cast into destitution. It didn’t fit the narrative.”

(via voreyeur)

devidsketchbook:

LIGHTS ON

(New York City, 2013-2014)

Photographer Franck Bohbot  previously )

( via: ryanpanos )

serum114:

Raquel, Caroline and Fei Fei in Playing It Cool
Annie Leibovitz for Vogue US September 2014

"I luxuriate more in a whole day alone; a day of easy natural poses; slipping tranquilly off into the deep water of my own thoughts, navigating the underworld."

Virginia Woolf, Diary Entry, 18 June 1926. (via mirroir)

5centsapound:

Émilie Régnier: Mali Passport

via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’

wilhelmventer:

Weisman Art Museum by Frank Gehry at the University of Minnesota.  Mineapolis, MN.

iPhone 4S

RF